| 1. | Comparison of aesthetic feeling source theory of practical aestheticians
实践派美学家的美感根源理论之比较 |
| 2. | Numerous artists , aesthetes , artists and writers are trying to embody this idea in their works
后来的艺术家、美学家和作家们就一直在诠释着这一思想。 |
| 3. | Zhu guangqian , an expert in aesthetics , said , " poem is the most exquisite language which contains the most exquisite impressions .
美学家朱光潜先生说： “诗是最精妙的观感表现于最精妙的语言。 ” |
| 4. | We expect more distinguished aestheticians to study the theories of laughter and farcicality concealed in the chinese people
中国人是一个善于笑的民族，中国有着十分丰富的笑的材料，我们期待着有作为的美学家来总结我们民族的笑和滑稽的理论。 |
| 5. | For two relation problems of , our country ancient many philosophers , estheticians once never together angle , combined different art style to carry on a various study
对于二者的关系问题，我国古代许多哲学家、美学家曾从不同角度、结合不同的艺术样式进行了多方面的探讨。 |
| 6. | " spiritual aesthetics , " a seminar on master s celestial clothes , brought aesthetics experts and fashion designers together to explore the spiritual and artistic values expressed through master s fashions
灵性之美天衣座谈会，由美学家与服装设计专家聚一堂，探讨天衣的灵性美。 |
| 7. | In this situation the helplessness of aesthetics was revealed in all its severity : not a single aesthetician could place bounds to this anarchy by drawing the boundary lines between art and pseudo - art
在这种情况下，美学的无能被揭发得淋漓尽致：没有哪怕一位美学家能通过在艺术和伪艺术之间划定一条边界线来约束一下这种无政府主义状态。 |
| 8. | And they have regarded aesthetics as a main approach to improve and elevate one ' s character and to achieve self - development . the uttermost aim of school education is to develop a wholesome man with truth , kindness and beauty
自古以来，许多美学家、思想家和教育家，都积极倡导美育，把美育看作是完善和提高人的品格、实现人类自我发展的一条主要途径。 |
| 9. | Nowadays , when modem western aesthetes are making every effort to seek the aesthetic issues on subject and object , existence and appearance , sense and comprehension , it will derive lots of new inspiration to re - read zhu guangqian ' s aesthetic ideology
在现代西方美学家殚精竭虑欲探询的主体与客体、存在与显现、意义与理解等美学问题的今天，重读朱光潜的美学思想会有很多新的启发。 |
| 10. | The aestheticians thereby abandoned art to the hands of the art establishment , art dealers , impostors , cranks and all kinds of misfits who made art their heritage but without there being any art there at all
美学家们于是就把艺术扔到了艺术机构、艺术品经销商、滥竽充数者、耍洋相之辈以及全部种类的不称其职的人的手里，他们把艺术搞成了自家的囊中之物，但在那里任是什么艺术也不存在。 |
