| 1. | Cinespot : a great auteur - yasujiro ozu
Cinespot动映地带:黑泽明的电影文化 |
| 2. | Yasujiro ozu is one of the most important directors in japan
是次影展合共放映14部日本动画， |
| 3. | Yasujiro ozu and derek yee , two seemingly unrelated filmmakers , are yet bound together because of the same heritage they share and exhibit in their movies - love
看他们的电影，都会在不经觉间受到感动，原因很简单，因为人间有情。 |
| 4. | Yasujiro ozu and derek yee , two seemingly unrelated filmmakers , are yet bound together because of the same heritage they share and exhibit in their movies - love
表面来看尔冬升和日本名导小津安二郎好像扯不上任何关系但两人的电影却都拥有一股气质或者说是一股力量更为贴切。 |
| 5. | In the rein of ozu yasujiro and kinoshita keisuke , two of his precursors at the shochiku studio , yamada yoji has been particularly keen on portraying the lives of japanese families
与小津安二郎、木下惠介同属松竹片厂的山田，跟两位前辈大师一样，对日本家庭的描写最感兴趣。 |
| 6. | The expertly recorded sound serves to only transport the audience far , far away to the caspian seashore . commissioned as part of the centenary celebration of ozu yasujiro s birth ,
极简约形式或与不少前卫实验电影相通，但五段浑成静观大自然的一个整体，东方禅味尽出，难怪此片要献给小津安二郎。 |
| 7. | Yasujiro ozu s films always concentrate on the daily lives and interpersonal relationships of the members of lower - middle - class families . it seems that this film is one of the typical examples that matches the above generalization of ozu s films
小津安二郎一向擅拍写实的日常生活和低下层家庭的人物关系，此片正是此类电影的表表者之一。 |
| 8. | Kurosawa s films always carry a message , it is different from the films of yasujiro ozu or kenji mizoguchi in which they love to deal with family or interpersonal relationship . kurosawa loves to explore the possibility of human nature
恶名远播的强盗和自私的女人说谎不足为奇，连平实的樵夫也会为了自己的利益因为不想卷入麻烦和偷了短刀而说谎，可看出创作人对这个社会的观感是多么灰暗及缺乏安全感。 |
| 9. | From the high class and innocent girl in the beginning to the understanding homemaker in the end , the change of emotional state and physical gestures are well calculated . it is no wonder why she could become a long time partner with another director yasujiro ozu later in her career
他是教授的另外一个学生，一生都是为别人和为了溶入主流社会而活，人生虽然没有风浪，平步青云，但是看来却不见得怎样快乐，相反光阴都好像是虚渡了。 |
| 10. | From the high class and innocent girl in the beginning to the understanding homemaker in the end , the change of emotional state and physical gestures are well calculated . it is no wonder why she could become a long time partner with another director yasujiro ozu later in her career
他是教授的另外一个学生，一生都是为别人和为了溶入主流社会而活，人生虽然没有风浪，平步青云，但是看来却不见得怎样快乐，相反光阴都好像是虚渡了。 |
