| 1. | Cinespot : a great auteur - yasujiro ozu
Cinespot动映地带:黑泽明的电影文化 |
| 2. | Yasujiro ozu is one of the most important directors in japan
是次影展合共放映14部日本动画， |
| 3. | Without the pessimism of ozu and keisuke , yamada ' s " tora - san " comes from a contented and happy family
相对于小津的无常无奈、木下的感伤与焦虑，山田的寅次郎一家是幸福、快乐的。 |
| 4. | One of the most private of ozu ' s films , " there was a father " is resemblance of his early work , " the only son "
本片是小津早期的作品《独生子》的变奏，描写相依为命的两父子，一直在乡间生活。 |
| 5. | It is the most distinguishable trademark of ozu and the most important element in positioning him as an auteur
赤胡子-又是一近三小时的电影，节奏颇慢，但是内容有趣，适合有耐性的观众欣赏。 |
| 6. | A camera position that is considered lower than normal eye level is often seen in ozu s films , that it has become his official signature
除此外，电影故事的深度和拍摄手法的灵活运用亦是他的成功之道。 |
| 7. | This earnestly sentimental work traces an old man , played by ozu staple ryu chisu , as he returns to the misty village of his childhood
六十年前，政夫十五岁，寡母操劳成疾，比政夫大两岁的表姊民子过来帮忙，与他感情要好。 |
| 8. | It is heavily related to the subjects of his films and ozu s humane attitude toward the characters of his films . apparently , his films like
七侠四义-此片是必看不可之作，虽然片长超过三小时，但是却完全不觉冗长，闷场甚少。 |
| 9. | No other filmmaker , not even mizoguchi or ozu , was more adored within his home country than kinoshita keisuke 1912 - 1998
中国人摄制电影始于1905年的《定军山》 ，廿年后，导演孙瑜开始他的电影事业，推动中国电影进入第一个黄金期。 |
| 10. | In his darkest hour , daughter atsuko ( frequent ozu heroine , hara setsuko ) shows her beleaguered father the hard - won dignity in starting over
也是原节子代表作，这个洞悉世情的次女儿与父亲起舞，成为全片焦点，也为时代作了精采的解读。 |
