The doctrine did much to stimulate discipline and ethics in reporting and to diminish wild and fictionalized stories . 这种理论在促进报道的纪律和道德上以及减少夸张和虚构上还是很起作用的。
2.
It was peter panaro ' s fictionalized story 这是彼得?帕拿偌瞎编的故事。
3.
In the light of foucult ' s articulation of " power - knowledge " , every writing can be thought as a process of fictionalizing 在福柯的“知识-权力”观的关照下，任何书写都是一种拟制的过程。
4.
To a far greater extent than hemingway , fitzgerald fictionalized the commodity culture of the american center which he , in time , came to reject in favor of a moral posture 菲茨杰拉德从明显的美国文学话语边缘向去世之后被经典化的中心地位的漂移表现在地理、典律、道德三个方面。
5.
David has a somewhat troubled past , and is primarily notable for producing a largely fictionalized account of the limited time he spent as a remote viewer called psychic warrior 大卫稍微有些不平静的过去，起初把有限的时间编成了大量的小说而得到注意，他作为一位遥视的透视者而用尽全力，称之为“精神战士” 。
6.
" the martin iraq ascended " publishes in 1909 , the first half had discusses himself , selected material myself before the experience and afterwards becomes famous the process in the jake london , the main plot then was fictionalizes 《马丁?伊登》发表于1909年，前半部带有自传性，取材于杰克?伦敦本人早年的经历和后来的成名过程，主要故事情节则是虚构的。
7.
This young man is a senior in a great school here in orange county , california , in this century . many young people today are not taught about jesus . they might pick up a book that fictionalizes something about jesus that they believe is true , but its not true at all 在这世纪，在加州，他们就在外面，没有人跟他们讲耶稣他们或会看到一本书，一本讲及耶稣的小说，他们就会信以为真其实那不是真的，虚假的印象，这对于无知的人带来何等大的伤害，可怜
8.
In this essay i argue that the writing of american jazz age novelist f . scott fitzgerald responds to the developing national culture of his time , here described as an evolving relation between the marginality of the region and the hegemony of the center . like many of the characters in his novels , fitzgerald ' s perceived liminality from nation and canon - his work did not achieve repute until after his death - produced , paradoxically , dependence on those values the writer felt most distant from . to a far greater extent than hemingway , fitzgerald fictionalized the commodity culture of the american center which he , in time , came to reject in favor of a moral posture . fitzgerald ' s migration from the perceived margins of american literary discourse to status as a posthumous , centered canonical figure has three specific dimensions - the geographical , the canonical , and the moral - all of which combine to produce a significant ambivalence , beyond " modernist " credentials , in his life and legacy 本文认为,美国爵士时代的小说家菲茨杰拉德的作品对于作者所处时代和处于发展之中的民族文化(即区域边缘与国家霸权之间的演进关系)作出了回应.正如其小说中的许多人物一样,菲茨杰拉德从国家和典律中感知到阈限性(他自己的作品直到死后才获得盛誉) ,这使得他依赖于自己认为是最为边远的价值观念.与海明威相比较,菲茨杰拉德在更大程度上将位于美国中心的商品文化小说化,而最终他又出于道德考量将它予以拒绝.菲茨杰拉德从明显的美国文学话语边缘向去世之后被经典化的中心地位的漂移表现在地理、典律、道德三个方面.三者交织,使得学界关于他的纷争超越了现代主义者身份问题,在关于他的人生和文学遗产问题上也是褒贬不一,众说纷纭
