We also point out our finery could become genuine " finery culture " only when finery and baldric were combined 指出只有服装与佩饰之间真正有机结合起来才能使服装成为真正意义上的“服饰文化” 。
2.
Generally , cross - stitch can be used for : 1 ) clothing and personal adornment ; 2 ) baldric and ornament ; 3 ) articles of everyday use and home decorations ; and 4 ) recreation at leisure and making friends 从十字绣的用途上看大致分为四部分，第一是服装、服饰；第二是佩饰、饰品；第三是日用品及家居装饰；第四是休闲、交友。
3.
Most of baldric and ornament products have such implied meanings as love , having many sons and much happiness , safety and luck , for example , laijian , kaohong , jiaqi and dielianhua in the romance of west chamber 从含义上有《西厢记》中的《赖柬》 《拷红》 《听琴》 《佳期》 《蝶恋花》等多为爱情，多子多福等寓意，平安、吉祥、如意。
4.
In ancient times , the baldric and ornament products included pouch , tobacco pouch , perfume ( spice ) bag , waist pouch , fan cover , fan bag , handkerchief bag , glasses box and jewelry box , which were used by high officials and scholars 佩饰在远古时期从产品类别分有：荷包类、烟荷包、香荷包、腰荷包、杂宝抱肚荷包、扇套、扇袋、帕袋、眼镜盒、饰品盒多为达官贵人之用，文人墨客之用。
5.
In order to explore the art value and time characteristics which incarnated by people ' s baldric in dream of the red chamber , in this paper we analyzed the depiction on baldric in dream of the red chamber , construed ornamental and aesthetic function which was incarnated by baldric in dream of the red chamber and time localization , then compared the baldric in dream of the red chamber and the baldric in modern times , analyzed status quo and developmental trend 摘要为了探究《红楼梦》中人物佩饰所体现出的艺术价值和时代特点，文章从《红楼梦》中的佩饰描写入手，剖析《红楼梦》佩饰所体现出的装饰性和审美功能，以及其所具有的时代局限性，并将《红楼梦》佩饰与现代佩饰进行了比较，分析了现代佩饰业的现状和发展趋势。
