| 1. | Rodchenko ' s photographic inventions are the heart of the show
罗申科的摄影创新是此次展览的主题。 |
| 2. | Rodchenko ' s first photographs were often of friends and family
罗申科早期的作品经常是拍摄他的亲朋好友的。 |
| 3. | Rodchenko ' s techniques were so strikingly original they became synonymous with his name
罗申科的技巧独出心裁，以至于他本人的名字成为这些技巧的代名词。 |
| 4. | In 1933 rodchenko managed to get a commission to document the construction of the white sea - baltic canal
1933年罗申科好不容易获约去纪录白令海峡的建设。 |
| 5. | The 120 works on display date from between 1922 and 1940 , when rodchenko got his last big commission , and are arranged thematically
展出的一百二十幅作品是罗申科在1922至1940 （得到最后一次委托年）拍摄的，按主题编排。 |
| 6. | The remainder of the show is made up of images taken between 1930 and 1940 and can be read as the biography of rodchenko ' s efforts to rehabilitate himself
其余的展览是罗申科在1930至1940年拍摄的一些作品，可以看作是他想从新使自己振作的努力。 |
| 7. | Extreme foreshortening , shooting on the diagonal , straight down from a considerable height or straight up from the ground ? all these are known to this day as “ rodchenko angles ”
极短的前景，对角线成像，从治高处向下取景，或是从低处向上取景，这些至今都被称作“罗申科视角” 。 |
| 8. | However much rodchenko valued technology , mathematics and science , he was also a romantic with a theatrical streak and he quickly discovered a way to make science and art into allies , not enemies
尽管罗申科很崇尚科技，数学和科学，他还很钟情戏剧性，很快发现了使科学和艺术成为伙伴而不是敌人的方法。 |
| 9. | Alexander rodchenko , a designer smitten with modern industry , created this " production shirt and trousers " in 1922 . charles sheeler ' s 1932 photomural " industry " hangs behind the suit
设计师亚历山大?罗德琴柯对现代工业很著迷，这是他1922年设计的作品“工作服” 。背景? ? a挂的是摄影家查尔斯?希勒于1932年拍摄的照片《工业》 。 |
