On the influence of the ethnomusicological studies in japan upon the chinese musicologists 论日本民族音乐学对中国大陆音乐学术界的影响
2.
The piano was perfected in the early eighteenth century by a harpsichord maker in italy ( though musicologists point out several previous instances of the instrument ) 18世纪早期的意大利，钢琴在一位拨琴钢琴制造者手中得到完善（尽管音乐理论家们指出有更早的例子） 。
3.
In the new 21st century , will musicologists of chinese music be able to find fitting theoretical and methodological approaches that really suit chinese music 踏入二十一世纪，在中国音乐研究领域，我们是否能够在新世纪内探究出真正适合中国音乐多元属性及内涵的理论概念和方法？
4.
The self - important cant of musicologists on record jackets often suggests that true appreciation of the music is an arcane process ( that ) closed to the uninitiated listener , however enthusiastic 音乐学家们标记在唱片封套上的自以为重要的行话显示出对于音乐的真正理解是一个对于为入门者关闭的神秘过程，而不论这个入门者有多大的热情。
5.
During the second half of the 20th century , chinese musicologists saw the introduction of western ethnomusicology and its theories , concepts , and methodologies , which , within the native academic circle , became a " new " stream of scholarly tradition 二十世纪下半叶，中国音乐学界引进了西方民族音乐学的理论概念和方法，并在国内学术界形成了一个新的学派。
6.
" what this document gives us is rare insight into the imponderable process of decision - making by which this most complex of quartet movements is made over into a work for piano four hands , " richard kramer , a musicologist at the graduate centre of the city university of new york , told the new york times 此后，这份大赋格钢琴乐谱手稿便在人们视线中消失，它的下落也曾是欧洲音乐史学家们研究的一个谜团。报道说，这份手稿已于13日在帕默神学院展出。
7.
The increasing momentum in the importation of western music and cultural concepts has brought a negative impact to native chinese traditional music ; at the same time , however , it also brought a sense of urgency with respect to the preservation of traditional music among native musicologists . pioneer musicologists such as wang guongqi , yang yingliu , and huang xianpeng had built a foundation of chinese musicology for systematic study of chinese traditional music 自二十世纪初，西方文化的传入对中国传统音乐的传承和发展带来了一定的冲击，但也使本土音乐学者更感觉到捍卫本国音乐传统的急逼性，音乐学者如王光祈、杨荫浏、黄翔鹏等前辈为此对中国音乐的系统性研究建立了基础。
