On the buddha statues in the early gandhara art 中国南北朝时期菩萨像胸饰之研究
2.
It was here that buddhist culture blossomed and reached its zenith under the kushans in the form of 这里是,佛教文化进展和到达了它的天顶在kushans之下以gandhara文明的形式在白沙瓦和taxila双胞胎城市。
3.
In the greco - buddhist art of gandhara , in the first centuries ce in northern india , maitreya was the most popular figure to be represented , together with the buddha 在头一个世纪的北印度犍陀罗格列柯? ?佛教艺术中，弥勒被描绘成最普遍的人物，连同佛陀在一起。
4.
In the greco - buddhist art of gandhara , in the first centuries ad in northern india , maitreya is represented as a central asian or northern indian nobleman , holding a water phial in his left hand 在北印度头一个世纪的犍陀罗格列柯? ?佛教艺术中，弥勒被描绘成一个中亚或者印度北部的贵族，左手持有一个装有水的药瓶。
5.
The paper makes comparison among the octagonal stupa of gandhara , stone pagoda of the northern liang and grottoes in qingyang of gansu province , restores the octagonal stupa in loulan and deduces the spreading routes of octagonal stupa from gandhara to china 本文主要运用考古学方法，通过犍陀罗八面体佛塔与北凉石塔、甘肃庆阳石窟的比较研究，对楼兰八面体佛塔进行了复原，归纳出八面体佛塔从犍陀罗到中国的传播路线。
6.
There are also decorative patterns of chinese balustrades and persian acanthus . we can see a pagoda with many layers of eaves in the chinese style , or a cave having columns in the front like greek architectures . these carvings with a western flavor belong to the ancient indian gandhara style 东部的石窟多以造塔为主，故又称塔洞中部石窟每个都分前后两室，主佛居中，洞壁及洞顶布满浮雕西部石窟以中小窟和补刻的小为最多，修建的时代略晚，大多是北魏迁都洛阳后的作品。
7.
In the 4th century bc , alexander of macedonia went on an expedition to central asia , bringing the influence of greek culture with him . ancient india incorporated greek and buddhist carving art and produced gandhara art that , together with buddhism , found its way into china through the silk road 在雕造技法上，继承和发展了我国秦汉时期艺术的优良传统，又吸收了犍陀罗艺术的有益成分，创建出云网独特的艺术风格，对研究雕刻建筑音乐及宗教都是极为珍贵的宝贵资料。
