| 1. | The hero lin leslie cheung is put into prison innocently after he has left his good friend yin wo ma
宁采臣张国荣生逢乱世,无辜被牵连入狱。 |
| 2. | The realistic setting , together with lee s brilliant camera angles , succeed in creating a captivating and poetic cinematic world that is plausible
好在他的外型还算忠厚，和宁采臣的老实人形像总算有几分相似。 |
| 3. | Lee han - hsiang was an attentive filmmaker . from his films , you ll notice that he always tried to take care of everything to the finest details . the setting of
不过这个电影版和之后的徐克版本一样，并没有讲述聂小倩和宁采臣成为眷侣后的生活，这和原著有别。 |
| 4. | Betty loh , who is always regarded as the goddess of period drama , is actually less glamorous than i expected . yet she still makes a perfect portrayal as the tragic phantom chien
不过她的角色太正派，编导鲜有描写她被逼害人的矛盾心情，她和宁采臣的感情也淡然乏味，非常含蓄。 |
| 5. | Betty loh , who is always regarded as the goddess of period drama , is actually less glamorous than i expected . yet she still makes a perfect portrayal as the tragic phantom chien
不过她的角色太正派，编导鲜有描写她被逼害人的矛盾心情，她和宁采臣的感情也淡然乏味，非常含蓄。 |
| 6. | Unlike tsui hark s cartoonish adaptation , lee s version is more faithful to the original and he treats the story in a more traditional manner . lee han - hsiang was an attentive filmmaker
不过这个电影版和之后的徐克版本一样，并没有讲述聂小倩和宁采臣成为眷侣后的生活，这和原著有别。 |
| 7. | Is a remake of this 1959 classic . adapted from po chung - ling s novel , this is a love horror revolving around a sympathetic scholar and a beautiful ghost . ning chao lei is a poor but benevolent scholar
这部电影的原装正版，其实是李翰祥1959年的同名作品，由赵雷和乐蒂分饰宁采臣和聂小倩的角色。 |
| 8. | Is a remake of this 1959 classic . adapted from po chung - ling s novel , this is a love horror revolving around a sympathetic scholar and a beautiful ghost . ning ( chao lei ) is a poor but benevolent scholar
这部电影的原装正版，其实是李翰祥1959年的同名作品，由赵雷和乐蒂分饰宁采臣和聂小倩的角色。 |
| 9. | Ning and yen are always lit by the filmmaker using a red filter , which symbolizes a positive image , while chien and lao s faces are coated with a light green color tone to make them look cold and distant
除了摄影上的讲究外，编导对于灯光的运用亦异常出色。宁采臣和燕赤霞充满正气的红聂小倩和姥姥冰冷妖邪的青，都极富代表性。 |
| 10. | Ning and yen are always lit by the filmmaker using a red filter , which symbolizes a positive image , while chien and lao s faces are coated with a light green color tone to make them look cold and distant
除了摄影上的讲究外，编导对于灯光的运用亦异常出色。宁采臣和燕赤霞充满正气的红、聂小倩和姥姥冰冷妖邪的青，都极富代表性。 |
