Many local people go there , doing exercises , drinking tea , singing qinqiang or playing chess 早晨和傍晚都有许多西安人在那里做运动或者喝茶、唱秦腔、下棋。
2.
With a sweet singing tone reflective of the gentility and refinement of the culture of southern china , the gaohu is a chief instrument used in the accompaniment of cantonese opera , where the performance style is highly ornamented 中音板胡的面板比高音板胡的稍大，音色浑厚，多用于秦腔， ?鄂及陇剧等，也用于独奏和合奏中。
3.
At the crossing of the 21th century , the three famous authors in the contemporary literature field all selected the un - normal perspective narrate , the block - head young master in the a - lai ' s novel of " the dust falling to the ground " , the madman in jia - pingwa ' s novel of " shanxi opera " , the moving soul in the shi - tiesheng ' s novel of " the journey of my dingyi " , selecting the perspective inherited luxun ' s tradition in " the diary of the madman " , it is a reference from the west and latin america ' s modern expression skill , it is making great efforts when they face the dilemma under the new situation 摘要世纪之交，当代文坛颇具影响力的三位作家不谋而合地选择了非常态视角叙事，阿来《尘埃落定》中的傻子少爷，贾平凹《秦腔》中的疯子引生，史铁生《我的丁一之旅》中的行魂，这一叙事视角的选取既是对源自鲁迅《狂人日记》中“狂人”传统的承续，也是对西方、拉美等文学现代表现技巧的借鉴，更是新的历史条件下叙述面临困境时的创新努力。
4.
By analyzing " qin qiang " by jia ping - wa and " brother " by yu hua , two influential novels in china , the tendencies of novel composition since the new century are discussed . " qin qiang " is a " simulated realism " novel , in which society , nature , and life itself are simulated , while " brother " is a " mysterious realism " novel , in which exaggerated and mysterious devices are employed 摘要本文通过对贾平凹的《秦腔》和余华的《兄弟》这两部较有影响的长篇小说的具体分析来探讨新世纪以来长篇小说的创作趋向，在这两部有标志性的作品中， 《秦腔》可以称做是一种模拟社会、模拟自然、模拟生活本来面目“法自然的现实主义” ； 《兄弟》是以夸张和怪诞的手法创作的怪诞的现实主义。
