The centralized ken structure of chinese drama and goulanwashe 勾栏瓦舍与中国戏曲的一元化视界结构
2.
Through a comprehensive analysis of a divertimento the fanner dose not know goulan , this paper tries to tap and sort out this precious historical document ; attempts to restore the specific style of divertimento performance in history in yuan dynasty ; and gives a relatively clear comprehensive knowledge of the divertimento of yuan dynasty , which has a significant position in the history of chinese drama 摘要通过对《庄家不识勾栏》套曲全方位的解析，力求深入全面地挖掘、整理这一珍贵史料，试图复原历史上元杂剧演出的具体形制，使读者对在中国戏曲史上占重要地位的元杂剧有一个较为清晰的总体认识。
