董源 meaning in Chinese

dong yuan

On drawing landscape painting from noting
董源的绘画艺术与南宗山水图式管窥
The latter part of ming dynasty was exactly such a period whose mainstream intellectual concept was constructed from dong yuan ' s works and historical documents have customarily become the basis of the present narrative of ancient history of painting
明代后期由所谓“董源”的作品和历史文献所建构的主流知识概念又成为我们现在习惯性叙述古代绘画史的基础。
This paper aims to be an academic discussion of the formative process of the concept " dong yuan " from the following four aspects : the conditions of the existed historical texts , the regional transformation of evaluation criteria , the special meeting between dong qichang and " dong yuan " , and the process of establishing the taste and main lines of history of painting
摘要本文讨论了“董源”概念的历史生成的主要过程，通过已有的历史文本的条件、品评标准的地域转变、董其昌与“董源”的特殊际遇与趣味和画史主线的确立过程等四个环节展开了全新的学术讨论。