后电影 meaning in Chinese
post-cinema
Examples
- When the stronger culture invades the feebler one , it takes away substantial profit and what leaves behind it is its ideological mark
当强势文化通过电影以及后电影产品对弱势文化进行侵略时,它带走的是经济利益,留下的是思想观念。 - In this case , it is of great significance to research on the the post - cinema market development , not only from the perspective of profit but also from that of ideology
因此,无论从经济利益的立场,还是从意识形态的角度,进行后电影市场发展研究都具有重要意义。 - Being lack of market concept , legal system , business institutions and sale experience , chinese movies seem feeble to compete with the challenges from foreign movies . first , this thesis explains the purport of the paper
中国本土的后电影市场面对外国电影的挑战时,因观念淡薄、法制不全、机制不健、经验匮乏等原因表现出无力抗衡的姿态。 - Based on the core competitiveness of movies , the paper offers developing tactics of buildingone standardization , brandization , internationalization post - cinema market in china , linking with the international sale rules , the characteristics of entertainment period and chinese conditions
本文结合国际电影营销惯例、娱乐经济时代特点和中国的国情，提出建立以电影为核心竞争力的规范化、品牌化、国际化的中国后电影市场开发的发展策略。 - The post - cinema product ’ s ability of message creavity and transferance make the difference from other common goods under the globalization background . the post - cinema product as media has the persist ability of propagandizing , and therefore it is somewhat tinged with color of ideology
在全球化的背景下,后电影产品的信息创造和传递能力使其区别于一般意义的商品,它作为衍生媒介具有持续宣传能力,所以,后电影产品带有或明或暗的意识形态工具色彩。