反战的 meaning in Chinese

anti- antiwar
anti-war

And imamura shohei , who remade the classic tale in 1982 . with every film he directed , kinoshita experimented with form , narrative and camera movements , employing severe long takes and fast cutting with equal mastery . nonetheless , his innovations never overwhelm the innate humanistic qualities within each work , thus ensuring his legacy as a true cinematic master
他的《日本的悲剧》紧抓住时代脉膊，《 ?山节考》活用古典戏剧传统，反战的《二十四只眼睛》让举国上下同声一哭，而《卡门还乡》则不但是日本首部彩色片，更是杰出风俗喜剧，又能寓同情于讽刺，其荒诞幽默感，在日本电影中可谓首开先河。
Compared to the profound character depiction , the usually apparent anti - war message in most of miyazaki s recent works is less visible this time . by that i don t mean miyazaki s point of view has changed , it is just that he has chosen a more indirect approach to bring out the message , which i think is a brilliant move as it allows more room for the audience to introspect . it is especially different from many other japanese movies like
和千与千寻一连串清晰明确的环保讯息相比编导今次只以非常间接的侧写方式插入其反战思想感觉比以往内敛得多但整体效果也不俗和近年很多刻意标榜反战的电影如几近同期的改造人卡辛蒸气男孩相比实大异其趣。