| 1. | Poetic creation in modern fictions
论现代小说的诗意化创造 |
| 2. | Poetic narration in modern fiction
论现代小说的诗性叙事 |
| 3. | Influence of french realistic literature on chinese modern fictions
略论法国现实主义文学对中国现代小说的影响 |
| 4. | The yuan yanghudie school and the evolution of the idea of chinese modern fiction
鸳鸯蝴蝶派与近代小说观念的演变 |
| 5. | On the author in modern fiction
现代小说作者论 |
| 6. | Modern fiction studies
我要小说 |
| 7. | Visions of the future in modern fiction are seldom optimistic . for example , what makes them so depressing
现代虚构的小说中关于未来的幻想总是不大乐观，举例来说，什么使他们如此抑郁？ |
| 8. | S . e . gontarski , " the intent of undoing in samuel beckett ' s art " , in modern fiction studies 29 ( no . 1983 ) , p . 15 , p . 10
塞?贝克特等: <普鲁斯特论> ,沈睿、黄伟等译,社会科学文献出版社1999年版, 50页 |
| 9. | A preliminary exploration into the techniques of modern fiction ) . in 1981 , mr gao joined beijing people s art theatre as a resident playwright
高先生最先以中篇小说《寒夜中的星辰》和文学理论论著《现代小说技巧初探》走上文坛。 |
| 10. | Thus spake the confessional poetry of the 1960s , the memoirs in the 1980s and 1990s , the prominence of the narrator in all of modern fiction
60年代的自白体诗歌是这么做的， 80和90年代的自传体也是这么做的，所有现代小说都在突出叙述者。 |
